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Will Brown

Will Brown

Will Brown has turned his pain into a postcode, and you’re invited

Soon, though, other sounds began to call, such as the soaring melodies of Whitney Houston cassettes or the textured soul of Donny Hathaway records. And suddenly, Brown began to imagine something beyond the four walls that he was raised in. Those records showed him how to carry the spirit of gospel into something further-reaching without losing its soul.

Amara Okafor · 31 August 2026

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The pop-soul singer spent years being someone he wasn’t. Now he’s built a world out of the person he found on the other side, and the doors to Brownsville are wide open.

Most people clock in to work with a sugary jolt of caffeine. Will Brown clocks in breathless, music flooding his headphones, new ideas coming in tow with his effervescent footsteps. A desk could never be the 27-year-old’s creative sanctuary. That said, you won’t catch Brown doing leg day at the gym unless he absolutely has to. “I always joke with my trainer that I have Naomi Campbell legs,” he laughs.

But long before the StairMaster or his marathon “meditation walks” became Brown’s thinking space, his world was filled with church basements and a cappella harmonies reverberating through family congregations. He was singing alongside a minister father and surrounded by siblings who could almost form a full choir by themselves.

Soon, though, other sounds began to call, such as the soaring melodies of Whitney Houston cassettes or the textured soul of Donny Hathaway records. And suddenly, Brown began to imagine something beyond the four walls that he was raised in. Those records showed him how to carry the spirit of gospel into something further-reaching without losing its soul.

With his debut EP, Welcome to Brownsville, landing today (17 April), Brown opens the door to Brownsville: a conceptual world where his past, influences and sound all live in harmony on the same street.

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Q & A

Roisin Teeling: How do your mornings usually start?

Will Brown: Every morning starts with cardio and that’s my cup of coffee. I’ll listen to music, start getting ideas and prepare for the day. I’m a routine type of guy, and over the past few years it’s become essential. I call them ‘meditation walks’ and that’s when I zone out from the world, work through things and start building songs or storylines.

Roisin Teeling: You grew up in the Church. Was music taught to you from a young age there?

Will Brown: My dad was a quartet singer, and his whole family sings, so singing has always been a part of my life. I’m the youngest of five. It’s only three of us now, but growing up, my dad would take us into the basement and teach us his songs and harmonies. Once he became an ordained minister and started preaching around the city, we would kind of be his opening act — me and my brothers and sisters would get up to sing. We all worked in the church, but I was the only one who really took it seriously, and that’s when I started doing gospel music professionally. I linked up with Dwayne Woods, a gospel artist in the States, and started travelling with him, then recording with other gospel artists.

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Q & A

Roisin Teeling: At what point did you decide to look beyond the Church?

Will Brown: I’ve always wanted to be a singer. Even when I was younger, I was drawn to pop and R&B. I became a praise and worship leader at 16, and I just knew the gift I had was bigger than the Church. Not that I was better than it, but the messages I wanted to convey felt bigger than those four walls. It wasn’t until about six years ago that I hit one of my lowest points and realised I’d been masking for a long time being someone I knew I wasn’t. I was doing it because I didn’t want to let my family down or walk away from the Ministry, but deep down I knew I had a calling and I wanted to share my gift with the world. I realised I couldn’t keep living for other people. I had to live for myself to be happy, to walk in my truth and become the best version of myself. I was in this house I’d bought, one of my dream homes, and I still wasn’t happy. That’s when I knew something had to change. The next day, I went to work and asked my boss if I could transfer to LA. It all happened so quickly. That lowest moment led me to write one of the songs on my EP, ‘I Found You’. That was me finding the person I’d been looking for.

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Q & A

Roisin Teeling: Did you write in fragments while you were experiencing those feelings, or did the songs emerge later once you’d had time to reflect?

Will Brown: It was upon reflection. I’d always write little bits and pieces, but it wasn’t until I came out of that situation [that] I could take a bird’s-eye view of everything — that the pieces started to come together. When I began seriously writing the lyrics, I remember thinking, ‘Okay, I’m not going through this right now’. But then, when I was in a difficult moment, those lyrics or that melody would come back to me. It helped me understand how to navigate that space, and gave me hope that I’d come out the other side. That’s also when I created Brownsville, because that space felt magical, and it was so inspiring, and I wanted to stay in it. Now, with the EP, I get to invite other people into that world, too.

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Q & A

Roisin Teeling: You’ve mentioned that your exposure to music outside the Church was limited. How did that affect you?

Will Brown: We weren’t allowed to listen to what we called ‘worldly’ music growing up. Whenever my parents would leave, we’d sneak and watch MTV. Eventually, my mom had a Whitney Houston cassette, and one of the first CDs I bought was Donny Hathaway. I learned ‘A Song for You’. I felt like I was really behind when it came to pop and R&B artists because I was so immersed in gospel — that’s all I knew. It wasn’t until later in life that I really started exploring the pop side of music. That’s when I realised I could take the soul of gospel and merge it with the sound of pop, and create what I’m doing now, which is pop-soul.

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Q & A

Roisin Teeling: Brownsville comes across like a real place. How do you visualise it?

Will Brown: When I created Brownsville in 2008, I envisioned this town — not a perfect town, but a place full of flawed individuals. We were loving each other, helping each other out, uplifting each other. But then, sonically, the music they would hear is always uplifting, always hopeful and always addressing things — looking our issues in the face and finally dealing with them, rather than pushing them under the rug. Finally facing your fears, and giving heartbreak a sound — giving being upset about something a sound. I envision this whole, hopeful life music, giving hope, anger, frustration, but turning it into something positive. Brownsville is this town full of beautiful people, and the sounds are incredible, uplifting songs. Sometimes it’s songs that make you sit, think, maybe cry, but you have the strength to get through whatever you’re going through in that moment.

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Q & A

Roisin Teeling: Exploring the world of Brownsville and the build-up to releasing this music, what would you want someone to take away after stepping into this world?

Will Brown: I would want them to take away that they are enough. Never let your circumstance or your heartbreak, or anything you’ve gone through define who you are now. And never allow that to keep you from growing. Always remember that, even though you’re in a difficult moment in your life, it won’t always be dark. The sun has to come out eventually if you keep pressing. I have a tattoo with one of my favourite quotes: “The only way out is through.” You can’t keep running from your problems. You have to go through it and it’s not going to be easy, it’s not going to be nice, it’s going to be hard. But it’s about facing those fears, facing those hardships, so you can see and know who you really are on the inside, and your own strength. So you can come out of whatever you’re in stronger, better and as a completely new person.

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Photographer Charlie Cummings

Stylist Brittany Newman

Writer Roisin Teeling

Groomer Chloé Pack

Producer Shania Yasmin

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